Interested in the properties of peat and its preservative qualities I experimented by burying paper in the ground to record the natural composting and deterioration which occurs.

Layering of process. Photographic representation of buried organic object magnified and printed on aluminium. Reconfiguring, replicating and re-interpreting.

An area of poached earth in the field beside my house has been an abundant source of inspiration.

Sculpture made from casting a cowpat collected from the farmer's field. Making something tangible and lasting from an ephemeral object.

An exploration of material to understand the shape, form and the-between spaces.

Making Visible is a project exploring the hidden spaces, tunnels and runs made by voles in the ground.  Using synthetic material  poured into the holes and video footage I tried to capture these mysterious spaces.  

Huge rooks' nests from felled trees were salvaged and regenerated by being presented on scaffold.

Listen to them Falling comprises multiple strings of apples, wrapped in clay and suspended invisibly from the ceiling.

Apple Wheel, 2023. Plaster, metal, apple skin, earth matter. 62 x 42 cm.

This sculpture is cast in the very place from where it originated. The action of the tractor pressing its weight into the mud temporarily changes the shape and surface of the ground.

This sculpture is cast in the very place from where it originated. The action of the tractor pressing its weight into the mud temporarily changes the shape and surface of the ground.

Juliet Duckworth. 2018. 43 cms x 55 cms. Acrylic, chalk, thread, twigs and honesty seeds on calico.

Juliet Duckworth. 2018. 56 cms x 85 cms. Acrylic, pastel, thread on calico.

Inspired by the shapes, folds and cracks that naturally occur in nature. Juliet Duckworth 2018. 1m x 1m, acrylic on canvas.

Cider Woman. 2020. Silhouettes connecting to the earth, location and history of presence. Fruit, Fertility, Cycles, Mother, Earth.

In October 2019 I started making a piece of Land Art in the field beside my home. Wanting to create another layer of history on the surface of the ground I positioned thousands of apples in a linear form.

Making form out of space. By pouring wet and liquid plaster into holes in the ground made by rat runs, I allowed the material to move, slide and fix itself into the void it finds.

Absence. A series of sculptures using found materials from the countryside where I live.

Post Henge. 2021. Positioned in circular form to reflect continuity and eternal cycles.

A series of 15 sculptures cast from the holes in the ground left behind when fencing posts were removed.